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End Of Sentence' and the Bhuvan Bam-starrer, Plus Minus that won the Filmfare Award for Best Short Film.Īfter having championed short films much before they became a trend in India, Guneet has joined hands with Flipkart Video for an anthology titled, Zindagi inShort. Not to mention, her filmography as a producer includes the Oscar-nominated short film, Kavi, Oscar-winning short documentary, 'Period. Some of the most impactful and acclaimed productions to Monga's credit are Gangs Of Wasseypur - Part 1 and Part 2, The Lunchbox, Masaan, Tigers, Dasvidaniya and Haraamkhor. To have a partner admit infidelity in a joking manner without any rhyme or reason is not comprehensible, but the maker wants viewers to believe that it's a walk in the park (or in this case, a garden where a wedding is taking place).Guneet Monga's Sikhya Entertainment is a production house that has backed gripping and content-powered cinema in the past decade. It needs some special skill to make actors like Deepak Dobriyal and Isha Talwar act badly, but Director Smrutika Panigrahi makes that possible with a screenplay that is all over the place and a story that makes you wonder what was really happening in this world. The anthologies crashes when Swaaha arrives. Of course, with a title like this, you do feel connected as well due to the relatability factor that stays on till the end. This is a short story that actually works, courtesy Director Gautam Govind Sharma, as it establishes its characters well, sets the motive right, and gets audiences connected with the lives of the youngsters. On the other hand, in Chhaju Ke Dahi Bhalle, you wish there was a lot more to know about what happened in the lives of Manjot Singh and Aisha Ahmed after they met on a dating app.
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The message - to stand up for yourself - is fine but there seemed no real need to have child actor Vedika Nawani and Shafin Patel to keep going through the motions. This could have been a three-minute commercial, but Director Vinay Chhawa chooses not just to repeat his scenes verbatim but also tell half the story in slow motion. Thappad - which has nothing to do with the Taapsee Pannu starrer - is a classic example of how to stretch a five-minute story to three times its length. Special appearance by Nakuul Mehta helps. While she's sensitive and yet not to every patient, tables turn one day.Ĭredit goes to Director Vijayeta Kumar that despite a hospital setting, she doesn’t allow the proceedings to turn grim. She has to go through double shifts but still keeps her spirit intact. Still, it is somewhat watchable due to Rima Kallingal's charming proceedings as a doctor on duty. This short has some brief moments, though not the kind that will stay with you. What helps are the performances of the two lead actors, and the manner in which Divya finds a key to her life and frees herself. There's a sense of déjà vu as the story has the same premise as Criminal Justice: Behind Closed Doors, which was about marital rape and abuse. It was brave on Divya Dutta's part to look 'not attractive' in this short film, where she has Sanjay Kapoor as her husband. Thankfully, there is something to cheer about as Director Punarvasu Naik adds some thrills in Sleeping Partner. It just leads to more questions, though as a viewer, you don't quite care as Director Rakesh Sain hardly builds any tension in the air. The only bit of sunshine comes in the form of Niddhi Singh, her neighbour, but by and large, her rendezvous with a dwarf robber-cum-killer (Arun Kushwah) is neither funny nor scary.
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The characterisation of an old lady feeling lonely is repeated in Nano So Phobia, where Swaroop Sampat feels ignored by her kith and kin. No, this Tahira Kashyap directed short film doesn't work. The characters around her, be it her husband, daughter, maid, sister-in-law or even courier boy, are shown to be in inherently rude or indifferent towards her.